BMus (Hons) Music
Course overview
Qualification | Cử nhân Đại học |
Study mode | Full-time |
Duration | 3 years |
Intakes | Tháng 9 |
Tuition (Local students) | ₫ 885188494 |
Tuition (Foreign students) | ₫ 1512954604 |
Admissions
Intakes
Fees
Tuition
- ₫ 885188494
- Local students
- ₫ 1512954604
- Foreign students
Estimated cost as reported by the Institution.
Application
- Data not available
- Local students
- Data not available
- Foreign students
Student Visa
- Data not available
- Foreign students
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Entry Requirements
- A-level: ABB
- BTEC: DDM
- IB: 33 points including 3 HL subjects
- If you do not have a Science or Mathematics-based A-level, you should normally have at least Grade B at GCSE Mathematics.
- You should also be able to demonstrate a music or arts background, as shown for example by an arts foundation degree.
- You can study for this degree as part of the University of London International Programme.
- If you are already studying for the BSc in Creative Computing on the University of London International Programme, you may transfer into the second or third year of this degree.
- IELTS - 6.0 (with no individual element lower than 5.5)
Curriculum
Level 4
- Approaches to Contemporary Music
- Composition
- Creative Music Technology
- Western Art Music: Contexts, Structures and Repertory
- Performance Techniques and Repertoire
Level 5
Term 1
- Aesthetics, Meaning and Culture (15 credits)
- Classical Versus Common Music: London’s Celebrity Culture (1700-1800)
- Music and Identity
- Musicians, Commerce and Commodification
- Russian Music in Context: Glinka to Stravinsky
- Music in Film (co-requisite for Media Composition)
Term 2
- Mapping 20th-Century Music
- Music of Africa and Asia
- Romanticism and its Legacy
Both terms
- Performance: Styles and Contexts (30 credits)
Term 1
- Sonic Arts Techniques (co-requisite for Sonic Art Practice)
- Techniques in Jazz and Popular Music (co-requisite for Arranging Jazz)
- Techniques of Contemporary Composition (co-requisite for Composition: Creative Strategies)
Term 2
- Composition: Creative Strategies (co-requisite: Techniques of Contemporary Composition)
- Sonic Arts Practice (co-requisite: Sonic Art Techniques)
- Media Composition (co-requisite: Music in Film)
- Arranging in Jazz and Popular Music (co-requisite: Techniques Jazz)
Level 5 Modules:
- Aesthetics, Meaning and Culture
- Classical Versus Common Music: London's Celebrity Culture
- Music and Identity
- Musicians, Commerce and Commodification
- Russian Music in Context: Glinka to Stravinsky
- Music in Film
- Mapping 20th-Century Music
- Music of Africa and Asia
- Romanticism and its Legacy
- Performance: Styles and Contexts
- Sonic Art Techniques
- Techniques in Jazz and Popular Music
- Techniques of Contemporary Composition
- Composition: Creative Strategies
- Sonic Art Practice
- Media Composition
- Arranging in Jazz and Popular Music
Level 6
One or two from List C (all 30 credits):
Terms 1 and 2
- Research Essay
- Advanced Performance
- Creative Research Project
- Composition Portfolio
The remainder from List D (all 15 credits unless otherwise states):
Terms 1 and 2
- Composition portfolio (30 credits)
Term 1
- Minimalism and Postminimalism
- Phonography (pre-requisite: Level 2 Sonic Art Techniques)
- Advanced Topics in Music History
- Performing South-East Asian Music
- Creative Orchestration and Arrangement (pre-requisite: Level 2 Arranging in Jazz and Popular Music)
- Music Teaching Skills
- Audiovisual Composition
- Outsider Sound: Fringe Aesthetics in Popular Music
- Music/Modernities
Term 2
- Soviet Music and Beyond
- Live Electronics (pre-requisite: Level 2 Sonic Art Techniques)
- Improvisation
- Musical Structure and Understanding
- Psychological Approaches to Music
- Music Workshop Skills
Level 6 Modules:
- Advanced Performance
- Research Essay
- Creative Research Project
- Composition portfolio
- Minimalism and Postminimalism
- Phonography
- Advanced Topics in Music History
- Performing South-East Asian Music
- Creative Orchestration and Arrangement
- Music Teaching Skills
- Audiovisual Composition
- Outsider Sound: Fringe Aesthetics in Popular Music
- Music/Modernities
- Soviet Music and Beyond
- Live Electronics
- Improvisation
- Musical Structure and Understanding
- Psychological Approaches to Music